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Daul RHEEM Digital Collection The 'Daul RHEEM Digital Collection' consists of materials produced or collected by Daul RHEEM between 2017 and 2026 and is organized into four series. S1, ‘Artwork’, includes works created by Daul RHEEM from 2017 to 2026. S2, ‘Exhibition Participation Records’, comprises materials related to solo exhibitions, group exhibitions, and university coursework exhibitions. S3, ‘Non-exhibition Activity Records’, includes materials related to planning projects, collective activities, artistic practices outside of exhibitions, and critical writings. S4, ‘Personal Materials’, contains biographical records, portfolios, and other personal documents. -
Text The ‘Text’ subseries is arranged to provide access to text-based works produced in 2024. This subseries consists of a total of one item and is organized around works created in 2024. It includes To You. -
New media The ‘New Media’ subseries is arranged to provide access to new media works produced between 2024 and 2025. This subseries consists of a total of two items. It includes Psyche, which shares the same source but generates subtle variations in playback depending on differences in device-specific physical conditions and processing speeds, and Jeongisu (The Storyteller), which outputs different ambient soundscapes in response to sensor reactions to external environmental conditions. -
Three Dimensional Work The ‘Three Dimensional Work’ subseries is arranged to provide access to Three Dimensional Works produced between 2017 and 2025. It contains one file and a total of 42 items. F1 includes Metal Frame Series. This subseries also contains other Three Dimensional Work that are not assigned to a specific file. -
Video The ‘Video’ subseries is arranged to provide access to video works produced in 2021. This subseries consists of a total of one item and is organized around works created in 2021. It includes 10880473 – Taken during exploration –. -
Publication The ‘Publication’ subseries is arranged to provide access to publication works produced between 2017 and 2021. This subseries consists of a total of two items. It includes Every… What? and Faggot. -
Performance The ‘Performance’ subseries is arranged to provide access to performance works produced between 2017 and 2024. It consists of a total of two items. It includes Globe and Parceling. -
Every… What? (2017) The 'Every… What?' file is classified to allow review of materials related to Every… What?, produced in 2017. This file consists of a total of one sub-item. -
Globe (2018) The 'Globe' file is classified to allow review of materials related to Globe, produced in 2019. This file consists of a total of one sub-item. -
More Big ILLEONG (2019) The 'More Big ILLEONG' file is classified to allow review of materials related to More Big ILLEONG, produced in 2019. This file consists of a total of one sub-item. -
A Little More ILLEONG (2019) The 'A Little More ILLEONG' file is classified to allow review of materials related to A Little More ILLEONG, produced in 2019. This file consists of a total of one sub-item. -
Calendar (2025) The 'Calendar' file is classified to allow review of materials generated from the exhibition Calendar, held at Gallery sangheeut from December 1 to December 30, 2025. The exhibition was hosted by Sangheeut, and the participating artists were Maruto Ardi, Aurora Arazzi, Soyun Bang, Ian Ha, Michael Rikio Ming Hee Ho, Jongwan Jang, Eugene Jung, Minhee Kim, Hyunjin Kim, Seo Hyun Kim, Gayoung Lee, Jisoo Lee, Lee Dong-hyun, Nosik Lim, MI PAK, Jinyong Park, Daul Rheem, Yaerim Ryu, Natalie Sasi Organ, Minji Song, TZUSOO, Hyangro Yoon, Yeongbin Yoon, and Yooyun Yang. This exhibition consists of a total of one sub-item. -
Every mosquito feels the same (2022) The 'Every mosquito feels the same' file is classified to allow review of materials generated from the exhibition Every mosquito feels the same, held at This Is Not A Church from January 19 to January 29, 2022. The exhibition was curated by Cha Yeonsa, and the participating artists were Kang Yebin, Park Joohyun, Kim Haeyoung, Lee Sanghwa, Lee Solyeob, Park Min Young, Rheem Daul, Yu Youngmin, Lee Moonsoo, Ahn Hyunjin, Choi Hyera, and Kim Hojung. This exhibition consists of a total of three sub-items. -
Heroes for Ghosts, A heart is Made of Many Folds (2025) The 'Heroes for Ghosts, A Heart is Made of Many Folds' file is classified to allow review of materials generated from the exhibition Heroes for Ghosts, A Heart is Made of Many Folds, held at Shower and sangheeut from May 17 to June 14, 2025. The exhibition was curated by Alex Thake, and the participating artists were Syd Barrett, Luis Benz, Jiyoon Chung, Sam Cottington, Rashiyah Elanga, KT Hickman, Sofia Defino Leiby, Amalie Lorentzen, Hyein Min, Daul RHEEM, and Yooyun Yang. This exhibition consists of a total of two sub-items. -
HOW TO BETTER YOURSELVES (2020) The 'HOW TO BETTER YOURSELVES' file is classified to allow review of materials generated from the exhibition HOW TO BETTER YOURSELVES, held at 402ho 161 Hwarang-ro 32-gil Seongbuk-gu Seoul, from January 23 to March 6, 2020. The exhibition was curated by Oh Eojin, and the participating artists were coknow, MIN JIN BAE, and Daul RHEEM. The exhibition was held against the backdrop of a situation in which the artwork had to be stored in the curator’s room after the artwork storage facility was closed due to COVID-19. This exhibition consists of a total of twenty-three sub-items. -
Heartdeep (2023) The 'Heartdeep' file is classified to allow review of materials generated from Part 1 of the group exhibition Heartdeep, held at Bom Boniere New York from August 15 to August 29, 2023. The exhibition was curated by Rhii Sangyeop, and the participating artists were Doeon Kim, Hyunjin Kim, Rhii Sangyeop, and Daul RHEEM. This exhibition consists of a total of four sub-items. -
MODELHOUSE (2020) The 'MODELHOUSE' file is classified to allow review of materials generated from the relay solo exhibition project MODELHOUSE, held at Lounge32 from June 1 to October 31, 2020. The exhibition was curated by Daul RHEEM, and the participating artists were Daul RHEEM, INGAEGO, Sihun Cha, MIN JIN BAE, Woogyeong Lee, coknow, Oh Eojin, miin, Lee woon, and Shin min kyoung. It is organized as a relay of solo exhibitions. This file consists of a total of twenty-nine sub-items. -
Chestnut tree-Dokkaebi-Bunjae (2021) The ‘Chestnut Tree–Dokkaebi–Bunjae’ file is arranged to provide access to records generated from Daul RHEEM’s solo exhibition Chestnut Tree–Dokkaebi–Bunjae, held at Gallery 175 (now Art Space, Korea National University of Arts) from September 29 to October 14, 2021. It consists of a total of 13 items. -
Rheem, Daul (2024) The ‘Rheem, Daul’ file is arranged to provide access to records generated from Daul RHEEM’s solo exhibition Rheem, Daul, held at Sangheeut from August 23 to September 22, 2024. It consists of a total of 24 items. -
Contacting presence (2023) The 'Contacting Presence' file is classified to allow review of materials generated from the group exhibition Contacting Presence, held at Space Cadalogs from December 27, 2023 to January 6, 2024. The exhibition was curated by Kichan Yang, and the participating artists were Lee Donggeun, Lim Seongbin, and Daul RHEEM. This exhibition consists of a total of five sub-items. -
The Good neighbor (2023) The 'The Good Neighbor' file is classified to allow review of materials generated from the group exhibition The Good Neighbor, held at Art Space 3 from May 25 to June 10, 2023. The exhibition was curated by An Meene, and the participating artists were Kim Jihyun, Moon Yooso, Shin Yi Chae, Jonghwan Lee, Hanna Lee, Daul RHEEM, and Alex Cho. This exhibition consists of a total of four sub-items. -
The Last Exhibition (2024) The ‘The Last Exhibition’ file is classified to allow review of materials generated from the group exhibition The Last Exhibition, which began on August 20, 2024. This traveling exhibition was curated by An Meene, and featured explanatory texts and audio for unrealized works, presented within the requester’s space. The participating artists were Changjae Kim, Daul RHEEM, and Seyoung Jeong. This file consists of a total of 4 sub-items. -
Crown Shyness (2020-2021) The 'Crown Shyness' file is classified to allow review of materials generated from the 21st Graduation Exhibition of the Department of Fine Arts, titled Crown Shyness, held at the School of Visual Arts, Korea National University of Arts, from December 21, 2020 to January 21, 2021. The participating artists were GWAK Heeji, GIL Haeun, KIM Yebin, KIM Jiwon, KIM Taeeun, MIN Hyein, WANG Euna, miin, YUN Hyeonjeong, LEE Dayeong, LEE Daeun, LEE Tomyeong, LEE Hayeon, LEE Hwiung, IM Doyeon, JEONG Yegyo, JEONG Jiin, Cha Yeonså, CHAE Jisu, HAN Bom, HAN Haeyeon, GANG Boyeong, GANG Seyun, coknow, GWAK Minjae, KIM Seongyeon, KIM Jiyun, KIM Haeyeong, KIM Hyeonjin, MUN Yuso, PARK Junhui, LEE Gaeul, LEE Sanghui, LEE Sol, LEE Ugyeong, LEE Hanseul, Daul RHEEM, JEONG Eunseo, CHO Mihyeon, CHOE Gyeongwon, CHOE Sinae, HAN Jiwon, GI Yerim, SIM Yujin, OH Yuna, LEE Nayeon, and CHOE Hyojeong. This exhibition consists of a total of ten sub-items. -
parallel (2019) The 'parallel' file is classified to allow review of materials generated from the group exhibition parallel, held at the Corridor Gallery of Korea National University of Arts from May 7 to May 27, 2019. The exhibition was curated by Mohee(Sohee Kim), and the participating artists were Min Jin Bae, and Daul RHEEM. This exhibition consists of a total of five sub-items. -
Damage Liner notes (2022) The 'Damage Liner notes' file is classified to allow review of materials related to 'Damage Liner notes', released at TONPLEIN in 2022. This file consists of a total of one sub-item. -
"When Three or More Gather", "Elsewhere", "A Brief History of Curation" Rediscussion - Curate : Create : Edit (2021) The '"When Three or More Gather", "Elsewhere", "A Brief History of Curation" Rediscussion - Curate : Create : Edit' file is classified to allow review of materials related to '"When Three or More Gather", "Elsewhere", "A Brief History of Curation" Rediscussion - Curate : Create : Edit', released at COLLEAGUE in 2021. This file consists of a total of one sub-item. -
Non Fungible Tunnel (2021) The 'Non Fungible Tunnel' file is classified to allow review of materials related to 'Non Fungible Tunnel', released at COLLEAGUE in 2021. This file consists of a total of one sub-item. -
2017 Undergraduate Exhibition The '2017 Undergraduate Exhibition' file is classified to allow review of materials generated from the 2017 Undergraduate Exhibition held at Korea National University of Arts in 2017. This file consists of a total of four sub-items. -
Personal Records The 'Personal Records' file is classified to allow review of materials related to Personal Records, created in 2024. This file consists of a total of one sub-item. -
Metal Frames Series The ‘Metal Frame Series’ file is arranged to provide access to works produced from 2023 onward. It includes works from the Metal Frame Series created between 2023 and 2026. You can observe works in the Metal Frame Series, which feature digitally printed fabric stretched over metal supports. -
CV The 'CV' file is classified to allow review of materials related to CV, created in 2025. This file consists of a total of one sub-item. -
External Curatorial Statement This file contains records of external curatorial statements contributed by the author. It consists of one sub-item. -
The Galhyeon-ro 45-gil 2 House Archive The Galhyeon-ro 45-gil 2 House Archive is a project documenting the history and memories of a house located in Eunpyeong-gu, Seoul, conducted from January to August 2026. This house, where artist Shin min kyoung’s maternal grandfather once resided, had stood in Eunpyeong-gu since 1970. After 2020, its use was changed to a neighborhood living facility, and it remained vacant for several years. Archivist Oh Eojin worked alongside those preparing exhibitions in the space, caring for and organizing the house while collecting traces and records of everyday life left behind within it. The project further traces the memories of people connected to former resident Jo Hak-je and examines the aging space and objects left behind after the site had fallen out of use, allowing viewers to observe the past ways of living and the transformations of the space over time.
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