‘Comédie’ is a work produced in 2026. The title of the work is derived from a French word meaning “theater” or “drama,” and is translated into Korean as “Comédie.” In Korean, however, the word “comedy” is generally understood to mean a humorous or comic play, whereas in French the term refers more broadly to theatrical works in general, including tragic drama. The artist titled the work based on this particular nuance of the French word, though its precise meaning has not yet been disclosed.

‘Comédie’ is a work produced in 2026. The title of the work is derived from a French word meaning “theater” or “drama,” and is translated into Korean as “Comédie.” In Korean, however, the word “comedy” is generally understood to mean a humorous or comic play, whereas in French the term refers more broadly to theatrical works in general, including tragic drama. The artist titled the work based on this particular nuance of the French word, though its precise meaning has not yet been disclosed.

This is the Exhibition Introduction for ‘The Good Neighbor’, held at Art Space 3 from May 25 to June 10, 2023. It contains an introduction to Daul RHEEM, one of the participating artists. The file size is 290 KB, and the format is PDF.

This is the Exhibition Introduction for ‘Contacting presence’, held at Space Cadalogs from December 27, 2023 to January 6, 2024. It contains an introduction to the exhibition and the individual participating artists. The file size is 82 KB, and the format is PDF.

This is the Exhibition Introduction for ‘Calendar’, held at Gallery sangheeut from December 1 to December 30, 2025. It contains an explanation of the exhibition, which uses a single day as its minimum unit. The file size is 45 KB, and the format is PDF.

This is the Exhibition Review 'Rheem, Daul: On the Objectivity of Truth' for ‘Rheem, Daul’, held at sangheeut from August 23 to September 22, 2024. It contains content about ‘Dokkaebi’, a concept frequently used by the artist, along with an introduction to the artworks. The file size is 129 KB, and the format is PDF.

This is the Exhibition Introduction for ‘Rheem, Daul’, held at sangheeut from August 23 to September 22, 2024. It contains an introduction to the Metal frame series and the artist's main interest, liquid crystal. The file size is 108 KB, and the format is PDF.

This is the Exhibition Introduction for ‘The Last Exhibition’, held from August 20, 2024. It contains the names of the curator, participating artists, and contributors, as well as text by Meene An, and application methods with links. The file size is 953 KB, and the format is JPG.

This is the Exhibition introduction for ‘MODELHOUSE: Simone's star’ by Shin min kyoung at Lounge32 from October 17 to October 31, 2020. The file size is 28.4 KB, and the format is PDF.

This is the preface to 'Traffic (Line 1)' (2021) by Shin min kyung. The file size is 83.8 KB, and the format is PDF.

This is the 'Daul RHEEM Digital Collection Research Report', written on March 15, 2026. It contains research on the Daul RHEEM Digital Collection. The document consists of an overview, detailed structure, purpose and significance, and an introductory text about the artist Daul RHEEM. Related images are included in the middle section of the main text. The file size is 2.7 MB and the format is PDF.

This is the File of ‘"When Three or More Gather", "Elsewhere", "A Brief History of Curation" Rediscussion - Curate : Create : Edit’ on March 11, 2021 by Daul RHEEM. It features discussions on ‘When Three or More Gather’ (written by KANG Bowon, KIM Yurim, NA Ilseon and edited by Ee Yeoro), ‘Elsewhere’ (curated by Ahn Soyeon), and ‘A Brief History of Curation’ (written by Harald Szeemann). The file size is 116 KB, and the format is PDF.

This is the File of ‘Non Fungible Tunnel’ on June 8, 2021 by Daul RHEEM. The file size is 109 KB, and the format is PDF.

This is the Liner notes for ‘Damage’ (2022) on May 22, 2022 by Daul RHEEM. The file size is 75 KB, and the format is PDF.

This is the Exhibition poster for ‘MODELHOUSE: Honeymoon’ by Woogyeong Lee at Lounge32 from July 8 to July 17, 2020. The file size is 3.59 MB, and the format is JPG.

This is the Exhibition poster for ‘MODELHOUSE: HM05.’ by Sihun Cha at Lounge32 from June 4 to June 17, 2020. The file size is 773 KB, and the format is JPG.

This is the Exhibition poster for ‘MODELHOUSE: Simone's star’ by Shin min kyoung at Lounge32 from October 17 to October 31, 2020. The file size is 119 KB, and the format is JPG.

This is the Exhibition poster for ‘The flair skirt wearing a floral patterend guy’ by Oh Eojin at Lounge32 from August 6 to August 20, 2020. The file size is 754 KB, and the format is JPG.

This is the Exhibition leaflet for ‘MODELHOUSE: Not Tasteless From Process But Flavorless From Day one. ^_ㅠ.’ by MIN JIN BAE at Lounge32 from June 19 to July 5, 2020. The file size is 507 KB, and the format is JPG.

This is the Exhibition poster for ‘MODELHOUSE: Thoughts in the foreest’ by miin at Lounge32 from August 22 to September 19, 2020. The file size is 701 KB, and the format is JPG.

This is the Exhibition poster for ‘MODELHOUSE: 33: Vivarium’ by Lee woon at Lounge32 from September 25 to October 10, 2020. The file size is 302 KB, and the format is JPG.

This is the Exhibition poster for ‘Chamseon(參禪)Ecstasy Tamacotchi Etude’ by INGAEGO at Lounge32 from June 1 to June 2, 2020. The file size is 285 KB, and the format is JPG.

This is a Photograph of the exhibition poster for ‘MODELHOUSE: "Peng - Peng Hyunsuk. Gwin - Gwinka."’ by coknow at Lounge32 from July 21 to August 3, 2020. The file size is 345 KB, and the format is JPG.

This is a Photograph of the exhibition poster for ‘MODELHOUSE’ by Daul RHEEM, INGAEGO, Sihun Cha, MIN JIN BAE, Woogyeong Lee, coknow, Oh Eojin, miin, Lee woon, and Shin min kyoung at Lounge32 from June 1 to October 31, 2020. The file size is 1.31 MB, and the format is JPG.

This is the Exhibition introduction for ‘MODELHOUSE: Thoughts in the foreest’ by miin at Lounge32 from August 22 to September 19, 2020. The file size is 845 KB, and the format is JPG.

This is the Exhibition leaflet for ‘MODELHOUSE: Honeymoon’ by Woogyeong Lee at Lounge32 from July 8 to July 17, 2020. The file size is 328 KB, and the format is JPG.

This is the Exhibition leaflet for ‘MODELHOUSE: HM05.’ by Sihun Cha at Lounge32 from June 4 to June 17, 2020. The file size is 161 KB, and the format is JPG.

This is the Exhibition introduction for ‘MODELHOUSE: Not Tasteless From Process But Flavorless From Day one. ^_ㅠ.’ by MIN JIN BAE at Lounge32 from June 19 to July 5, 2020. The file size is 560 KB, and the format is JPG.

This is a Photograph of the floor plan for ‘MODELHOUSE: Thoughts in the foreest’ by miin at Lounge32 from August 22 to September 19, 2020. The file size is 352 KB, and the format is JPG.

This is the Schedule for ‘MODELHOUSE’ by Daul RHEEM, INGAEGO, Sihun Cha, MIN JIN BAE, Woogyeong Lee, coknow, Oh Eojin, miin, Lee woon, and Shin min kyoung at Lounge32 from June 1 to October 31, 2020. The file size is 679 KB, and the format is JPG.

This is a Still image from the performance record video of ‘Chamseon(參禪)Ecstasy Tamacotchi Etude’ by INGAEGO at Lounge32 from June 1 to June 2, 2020. The file size is 236 KB, and the format is JPG.

This is the Promotional video of ‘MODELHOUSE’ featuring BAEK Jihye at Lounge32 from June 1 to October 31, 2020. The file size is 1.22 MB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: Honeymoon’ by Woogyeong Lee at Lounge32 from July 8 to July 17, 2020. The file size is 820 KB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: HM05.’ by Sihun Cha at Lounge32 from June 4 to June 17, 2020. The file size is 773 KB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: Simone's star’ by Shin min kyoung at Lounge32 from October 17 to October 31, 2020. The file size is 516 KB, and the format is JPG.

This is the Installation photograph of ‘The flair skirt wearing a floral patterend guy’ by Oh Eojin at Lounge32 from August 6 to August 20, 2020. The file size is 516 KB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: Not Tasteless From Process But Flavorless From Day one. ^_ㅠ.’ by MIN JIN BAE at Lounge32 from June 19 to July 5, 2020. The file size is 764 KB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: Thoughts in the foreest’ by miin at Lounge32 from August 22 to September 19, 2020. The file size is 1.08 MB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: 33: Vivarium’ by Lee woon at Lounge32 from September 25 to October 10, 2020. Photographs of works by artist miin, who participated as a critic art work, are also included. The file size is 411 KB, and the format is JPG.

This is the Installation photograph of ‘Chamseon(參禪)Ecstasy Tamacotchi Etude’ by INGAEGO at Lounge32 from June 1 to June 2, 2020. The file size is 345 KB, and the format is JPG.

This is the Installation photograph of ‘MODELHOUSE: "Peng - Peng Hyunsuk. Gwin - Gwinka."’ by coknow at Lounge32 from July 21 to August 3, 2020. The file size is 1.3 MB, and the format is JPG.

This is a Photograph of ‘MODELHOUSE’ Exhibition Space at Lounge32 from June 1 to October 31, 2020. It was created as a 3D modeling image. The file size is 716 KB, and the format is JPG.

This is a Photograph of ‘Globe’ in 2018. It features a scene exhibited in the lobby of Art Sonje Center as part of a course at the Korea National University of Arts. The file size is 889 KB, and the format is JPG.

This is a Photograph of ‘More Big ILLEONG’ in 2019. It shows wooden square timbers leaning in a triangular form, with patterned glass attached to one side. A paper sticker indicating the timber's dimensions is attached to one piece, over which red and white spray has been applied. A bell-shaped figure is placed at the bottom. The file size is 3.02 MB, and the format is JPG.

This is a Photograph of ‘A Little More ILLEONG’ in 2019. It features three wooden square timbers leaning against each other in a triangular shape. The file size is 2.31 MB, and the format is JPG.

This is a Photograph of ‘Every... What?’ in 2017. The file size is 6.86 MB, and the format is JPG.

This is the File of Daul RHEEM CV in 2025. It contains records of exhibitions, curating, research, awards, and other activities by Daul RHEEM. The file size and format information is not specified.

This is the Photograph of Arkwork Production Process Archive in 2024. It includes photographs of the wax casting process and the resulting casts, as well as a video of the artist refining the work. The file size is 15.6 MB, and the formats are jpeg, JPG, and mp4.

This is the Photograph of the X (Twitter) records related to ‘Rheem, Daul’ from August 15 to August 25, 2024. The images are titled based on their publication dates.

This is the Photograph of the press release records related to ‘Rheem, Daul’ from August 15 to September 27, 2024. The images are titled based on their publication dates.

This is the Photograph of the YouTube records related to ‘Rheem, Daul’ from August 15 to September 19, 2024. The publication dates and collection dates are used as the titles for the images.

This is the Photograph of the Instagram Stories records related to ‘Rheem, Daul’ from August 7 to September 13, 2024. The collection dates are used as the titles for the images.

This is the Photograph of the Instagram post metrics related to ‘Rheem, Daul’ at Sang-hieut from August 8 to September 12, 2024. The publication dates and collection dates are included as titles for the images.

This is the Photograph of the Instagram post dates related to ‘Rheem, Daul’ at Sang-hieut from September 19 to November 17, 2024. The publication dates are included as titles for the images. The file size is 64.9 MB, and the format is PNG.

This is a Photograph of the undergraduate coursework in 2017. It features a suit jacket, artificial flowers, and artificial fruit hung on a hanger, with pigment painted on Hanji (Korean paper) placed under the stand. The file size is 96 KB, and the format is JPG.

This is a Photograph of ‘A Writing for My Mother, Mrs. Kim Sochun’ in 2017 by Daul RHEEM. It features phrases written by the artist's mother for her late grandmother, sewn together and hung over a wooden box. The file size is 1.2 MB, and the format is JPG.

This is a Photograph of ‘Safe Sex Tools for Sexual Minorities’ in 2017 by Daul RHEEM. The work, featuring a wedding ring inside a condom package, is installed at the entrance of the Fine Arts Building at the Korea National University of Arts. The file size is 1.1 MB, and the format is JPG.

This is a Photograph of ‘FELIX’ in 2017 by Daul RHEEM. It features a rabbit doll with "FELIX" written on its foot. The file size is 480 KB, and the format is JPG.

This is the Installation view of ‘Every mosquito feels the same’, held from January 19 to January 29, 2022, at THIS IS NOT A CHURCH. It features works by Yebin Kang, Juhyun Park, Haeyoung Kim, Sanghwa Lee, Solyeop Lee, Minyoung Park, Daul RHEEM, Youngmin Yoo, Moonsu Lee, Hyunjin An, Hyera Choi, and Hojeong Kim. The file size is 1.02 MB, and the format is JPG.

This is the Photographs of ‘Hind Right Arm (Rose Tattoo)’ by Daul RHEEM, exhibited in ‘Every mosquito feels the same’ at THIS IS NOT A CHURCH from January 19 to January 29, 2022. The file size is 1.02 MB, and the format is JPG. It includes a scene showing the work through a smartphone screen, with objects including wood and car wipers leaning against each other.

This is the Exhibition view of ‘Crown Shyness’ at Korea National University of Arts, held from December 21, 2020, to January 21, 2021. The file size is 294 KB, and the format is JPG.

This is a Photograph of ‘Heart’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 236 KB, and the format is JPG. It features digital prints of a person's body overlaid with various edited facial images using wooden frames at regular intervals, with wooden timber leaning between the figures.

This is a Photograph of ‘Hand(Left)’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 439 KB, and the format is JPG. A branch is suspended over a curved wooden board spray-painted with straight lines.

This is a Photograph of ‘Eyelid’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 131 KB, and the format is JPG. It shows a device installed between two wooden timbers and a wooden sculpture, its screen appearing distorted through patterned glass inserted between the timbers.

This is a Photograph of ‘Tongue’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 131 KB, and the format is JPG. It features a grey-painted tree stump installed next to a speaker.

This is a Photograph of ‘Back’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 148 KB, and the format is JPG. It consists of a bonsai tree with a wooden crate placed over a grey-painted tree stump.

This is a Photograph of ‘Pore’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 131 KB, and the format is JPG. A smartphone is placed on a piece of white wood leaning against a perforated wooden structure, with the letter "오" displayed on its screen.

This is a Photograph of ‘Visage’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 225 KB, and the format is JPG. It features wooden square timbers leaning in a triangular form; one is painted blue with ‘OLLINGE’ letters attached. Another has a label indicating the wood type (WALNUT) and original size. A smartphone device is suspended by thread at the meeting point of the three timbers, playing a video.

This is a Photograph of ‘Ankle’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 225 KB, and the format is JPG. It features a fish tank placed on a wooden sculpture, containing a water motor and shrimp-shaped silicone bait. A light is installed above to illuminate the tank.

This is a Photograph of ‘Arm(Right)’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 225 KB, and the format is JPG. It shows a partially cut skateboard leaning against a curved wooden structure painted with straight lines. Paint pigment is visible on the skateboard wheels.

This is the Exhibition poster for ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. It contains information about the exhibition venue and time. The file size is 533 KB, and the format is PDF.

This is the Exhibition leaflet for ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. It contains information about the venue and time. The file size is 666 KB, and the format is png.

This is the Exhibition introduction for ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. Written by curator Oh Eojin, it contains descriptions of works by coknow, MIN JIN BAE, and Daul RHEEM, the introductory text, floor plan, and exhibition dates. The file size is 727 KB, and the format is PDF.

This is the Installation photographs for the exhibition ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. Works by coknow, Daul RHEEM, and MIN JIN BAE appear. The file size is 23.6 MB, and the format is JPG. It includes photographs of the opening where the audience and artists shared stew, along with exhibition view photographs.

This is a Photograph of ‘Portrait’, exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020. The file size is 1.42 MB, and the format is JPG. It features a scene where A4 paper with printed images and captions is attached to the exhibition wall.

This is a Photograph of ‘Remoted ILLEONG’, co-produced by coknow and Daul RHEEM, exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020. The file size is 2.8 MB, and the format is JPG. It includes side and front view photographs. The work appears leaning against household items and other participating artists' works.

This is a Photograph of ‘Every... What?’, exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020. The file size is 1.41 MB, and the format is JPG. It includes side and front photographs. The work appears leaning against household items and other participating artists' works.

This is a Photograph of ‘Folded ILLEONG’, exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at Room 402, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. The file size is 1.26 MB, and the format is JPG. It includes side and front view photographs. The work appears leaning against household items and other participating artists' works.

This is the Catalog image for the exhibition ‘The Good Neighbor’, held from May 25 to June 10, 2023, at Art Space 3. It includes the catalog cover and internal images. The file size is 64 MB, and the format is JPG.

This is the Poster for the exhibition ‘The Good Neighbor’, held from May 25 to June 10, 2023, at Art Space 3. It contains information on the venue, period, list of participating artists, and sponsoring organizations. The file size is 230 KB, and the format is JPG.

This is a Photograph of ‘Alexa Okuwen’, exhibited at ‘The Good Neighbor’, held from May 25 to June 10, 2023, at Art Space 3. The file size is 3.2 MB, and the format is JPG. It consists of front, back, and close-up photographs. It also includes a scene where one side of the cloth on the metal support was replaced with a different printed cloth during the exhibition.

This is a Photograph of ‘Choi JaeYeon’, exhibited at ‘The Good Neighbor’, held from May 25 to June 10, 2023, at Art Space 3. The file size is 4 MB, and the format is JPG. It includes photographs of the front, back, and close-ups of the work. It also features a scene where one side of the cloth covering the metal support was removed to expose the support during the exhibition.

This is image file for Instagram promotion for ‘The Last Exhibition’, co-produced by Chongjae Kim, An Meene, Daul RHEEM, and Seyoung Jeong, held from August 20, 2024. It contains the names of the curator, participating artists, and contributors, as well as text by Meene An, and application methods with links. The file size is 1.7 MB, and the format is PDF.

This is the Installation video of ‘The Last Exhibition’, co-produced by Chongjae Kim, An Meene, Daul RHEEM, and Seyoung Jeong, held from August 20, 2024, at Rasun Library and Locus Solus. The file size is 86.7 MB, and the formats are mov and gif.

This is the Exhibition view of ‘The Last Exhibition’, co-produced by Chongjae Kim, An Meene, Daul RHEEM, and Seyoung Jeong, held from August 20, 2024, at Rasun Library and Locus Solus. The file size is 2.77 MB, and the formats are mov and gif.

This is a Photograph of ‘Wing Scales’, exhibited at ‘Calendar’, held from December 1 to December 30, 2025, at sangheeut. The file size is 22.9 MB, and the format is tif. It features ribbons, roses, gesso, carbon paper drawings on canvas, Hanji, and walnut frames inside a wooden partition wall.

This is a Photograph of ‘Jeongisu(The Storyteller)’, exhibited at ‘Heroes for Ghosts, A Heart is Made of Many Folds’, held from May 17 to June 14, 2025, at Shower and sangheeut. The file size is 322 KB, and the format is JPG. It includes scenes where the wind chime of the work is still and where it is swaying.

This is the Installation archive video and photographs for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It includes photographs and videos recording the exhibition view from May 10 to 24. The total size is over 50 GB, and the formats are JPG and mov.

This is the Installation archive video and still images for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. The file size is 919 KB, and the format is JPG. It includes still images captured from the installation view video.

This is the Leaflet for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It contains information such as names of participating artists and curators, venue, and period. The file size is 244 KB, and the format is JPG.

This is the Poster for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It contains information such as names of participating artists and curators, venue, and period. The file size is 118 KB, and the format is JPG.

This is the Introductory text for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It contains the text written by Mohee(Sohee Kim), drawings, and the exhibition schedule. The file size is 717 KB, and the format is JPG.

This is the Poster for the exhibition ‘Heroes for Ghosts, A Heart is Made of Many Folds’, held from May 17 to June 14, 2025, at SHOWER and sangheeut. It contains the list of participating artists, curators, exhibition venue, and schedule. The file size is 500 KB, and the format is JPG.

This is the Exhibition view of Part 1 of ‘Heartdeep’, held from August 15 to August 29, 2023, at Bomboniere New York. The file size is 10.8 MB, and the format is JPG. Works by Doeon Kim, Hyunjin Kim, and Daul Rheem appear.

This is the Poster for Part 1 of the exhibition ‘Heartdeep’, held from August 15 to August 29, 2023, at Bomboniere New York. It contains information about participating artists, curators, venue address, and period. The file size is 1.38 MB, and the format is JPG.

This is a Photograph of ‘Alexa Okuwen’, exhibited in Part 1 of ‘Heartdeep’, held from August 15 to August 29, 2023, at Bomboniere New York. It features the work covered in digitally printed cloth and containing decorations. The file size is 1.73 MB, and the format is JPG.

This is a Photograph of ‘Chaetodon’, exhibited in Part 1 of ‘Heartdeep’, held from August 15 to August 29, 2023, at Bomboniere New York. Patterns painted with oil pastels and graphite on Hanji (Korean paper) can be observed. The file size is 1.07 MB, and the format is JPG.

This is the Poster for the exhibition ‘Contacting presence’, held at Space Catalog from December 27, 2023, to January 6, 2024. It contains the list of participating artists, exhibition schedule, and the address of Space Catalog. The file size is 513 KB, and the format is JPG.

This is the Exhibition view of ‘Contacting presence’, held at Space Catalog from December 27, 2023, to January 6, 2024. Works by Dongkeun Lee, Sungbin Im, and Daul Rheem appear. The file size is 881 KB, and the format is JPG.

This is a Photograph of ‘Echo’, exhibited at ‘Contacting presence’ held at Space Catalog from December 27, 2023, to January 6, 2024. It features a scene of a finger touching the work, which is composed in Braille format, to read it. The file size is 881 KB, and the format is JPG.

This is a Photograph of ‘Psyche’, exhibited at ‘Contacting presence’ held at Space Catalog from December 27, 2023, to January 6, 2024. A video of tropical fish playing on two smartphones is being shown. The file size is 774 KB, and the format is JPG.

This is a Photograph of ‘Choi JaeYeon’, exhibited at ‘Contacting presence’ held at Space Catalog from December 27, 2023, to January 6, 2024. A cloth printed with birds and angels is covered on both sides. The file size is 874 KB, and the format is JPG.

This is the Introductory text for the exhibition ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The file size is 1.18 MB, and the formats are JPG and PDF.

This is the Poster for the exhibition ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The file size is 134 KB, and the format is JPG.

This is the Exhibition view of ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The file size is 1.83 MB, and the format is JPG.

This is a Photograph of ‘Muxiphobia’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The work consists of a 3D-modeled mirror-textured iPhone image attached to the gallery wall, which was then photographed from a CCTV angle, reprinted, and overlaid on the original modeled image. The file size is 24.3 KB, and the format is JPG.

This is a Photograph of ‘Webbed hand’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. It shows objects including wood leaning against each other, with some painted. The file size is 3 MB, and the format is JPG.

This is a Photograph of ‘KF94’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. It features digital prints of a person's body with various edited facial photos overlaid at regular intervals using wooden structures. At the top, spray-painted square timber leans between the bodies. The file size is 815 KB, and the format is JPG.

This is a Photograph of ‘Hind right arm’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. Objects including wood and car wipers lean against each other, and some are painted. The file size is 608 KB, and the format is JPG. ‘10880473 -Taken during exploration-’ is leaning against it.

This is a Photograph of ‘Faggot’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The file size is 48.8 KB, and the format is JPG.

This is a Photograph of ‘Every... What?’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The file size is 48.8 KB, and the format is JPG.

2021년 9월 29일부터 10월 14일까지 갤러리 175(현 한국예술종합학교 아트 스페이스)에서 열린 《밤나무-도깨비-분재》에 전시된〈비두만〉촬영 사진 파일이다. 앞면에는 보석이 박혀 있고, 뒷면은 식물 문양이 그려진 패브릭으로 되어 있다. 용량은 38.1 KB로, 형식은 JPG이다.

This is a Photograph of ‘Biduman’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The front is studded with jewels, and the back is made of fabric with a floral pattern. The file size is 37.8 KB, and the format is JPG. The work of the same name, ‘Biduman’, is draped over it.

This is a Photograph of ‘20180928, 22800842, 20201225’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. It features three images measuring 14 × 8 cm edited by the artist. The file size is 37 KB, and the format is JPG.

This is a Photograph of ‘10880473 -Taken during exploration-’, exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery 175. The file size is 54.8 KB, and the format is JPG.

This is the Text of ‘To You’, featured in the teaser video for the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 67 KB, and the formats are xlsx and PDF. It contains the timeline of the ‘Rheem, Daul’ teaser video along with Korean and English lyrics.

This is the Teaser video file for the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 717.1 MB with a running time of 8 minutes and 32 seconds, and the format is mp4. It features actor Moon Yooso and the filming crew.

This is the Teaser video still cut for the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 702 KB, and the format is JPG. It is a still cut file used for promoting the ‘Rheem, Daul’ teaser video, featuring a scene of an actor reading a poem and the signature of Daul Rheem.

This is the Poster for the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 27.7 MB, and the format is PDF. It is the poster file used to promote ‘Rheem, Daul’, containing the list of exhibition participants and the performance schedule.

This is the Invitation image for the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 516 KB, and the format is png. It is the invitation file used to promote ‘Rheem, Daul’, containing the list of exhibition participants and the performance schedule.

This is an installation photograph of ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The metal support series appears in the view.

This is a photograph of ‘Psyche’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work consists of a video of tropical fish playing on two smartphones. The file size is 6.8 MB, and the format is JPG. It includes a photograph of the front of the work.

This is a photograph of ‘Jeongisu(The Storyteller)’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 464 KB, and the format is JPG. It includes front and side photographs of the work, and a video showing the work swaying in the wind and making a sound.

This is a photograph of ‘Parceling’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The file size is 728 KB, and the format is JPG. It includes photographs of the scene of ‘Parceling’ shown on a CCTV screen. The clothes changed by the performer before and after the performance are on display.

This is a photograph of ‘Muxiphobia’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes a photograph of the front of the work. The file size is 3.8 MB, and the format is JPG.

This is a photograph of ‘Fon Suthamphong’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes front, side, back, and close-up photographs of the work. The file size is 9.7 MB, and the format is JPG.

This is a photograph of ‘Leiming Yu’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes front, side, back, and close-up photographs of the work. The file size is 10.4 MB, and the format is JPG.

This is a photograph of ‘Alexei Zinoviev’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes front, side, back, and close-up photographs of the work. The file size is 12.6 MB, and the format is JPG.

This is a photograph of ‘Fido’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes front, side, back, and close-up photographs of the work. The file size is 8.5 MB, and the format is JPG.

This is a photograph of ‘Renee Wascovich’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes photographs of the front, side, and back of the work. The file size is 13 MB, and the format is JPG.

This is a photograph of ‘Jaehee Kim’, exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. Different digital images are printed on the cloth covered on both sides. It includes installation photographs of the front, side, and back of the work. The file size is 6.9 MB, and the format is JPG.

‘Wing Scales’ is a work produced in 2025. It was first exhibited at ‘Calendar’, held from December 1 to December 30, 2025, at Gallery sangheeut. The work is installed within a wooden partition wall and is composed of various materials, including ribbons, roses, gesso, carbon paper drawings on canvas, Hanji (traditional Korean paper), and walnut frames.

‘To You’ is a work produced in 2024. Written in an epistolary form, the work features various names, including Yuran, Junyeon, Nayeon, Jaeyeon, Jangyeon, Ayeon, PARK Raeyeon, and Juyeon.

‘Fon Suthamphong’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a tropical fish on one side and a shipwreck on the other. In the second part, the structure was presented by zipping together fabric printed with an enlarged image of a tropical fish on one side and a parrot on the other. During the exhibition, the fabric cover was replaced once. The title follows the format of a common foreign name.

‘The Last Exhibition’ is a mobile-type portable work produced in 2024. It was presented as part of the exhibition ‘The Last Exhibition’, which began on August 20, 2024, at Locus Solus (Rasun Library). The work was co-produced by Chongjae Kim, An Meene, Daul RHEEM, and Seyoung Jeong. It features a mobile structure where photo mounts, digital prints, and the exhibition's introductory text are hung together.

‘Jeongisu(The Storyteller)’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. When a gyro sensor, shaped like a wind bell, moves in the wind, the device measures the sensor's positional values using trigonometric functions and outputs wind bell sounds of varying intensities. In the first part of the exhibition, it played wind bell sounds, and in the second part, it was changed to thunder sounds.

‘Leiming Yu’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a shipwreck on one side and a moray eel on the other. In the second part, the fabric was replaced with images of a woven textile and a snow globe. During the exhibition, the fabric cover was replaced once. The title follows the format of a common Korean name.

‘Alexei Zinoviev’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a shipwreck on one side and a tropical fish on the other. In the second part, the fabric was replaced with images of a rose on one side and a collaged iconography of a bronze Buddhist statue on the other. During the exhibition, the fabric cover was replaced once. The title follows the format of a common foreign name.

‘Parceling’ is a performance work produced in 2024. It was presented as part of the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work was co-directed with the artist S4ranghae. It consists of two performers engaging in conversation while changing their respective outfits behind the works of the ‘Metal frame series’.

‘Fido’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric. In the first part of the exhibition, the fabric displayed an image of a tropical fish on one side and a shipwreck on the other. In the second part, the structure was presented by zipping together fabric printed with an image of a moray eel on one side and an octopus on the other. During the exhibition, the fabric cover was replaced once. The title follows the format of a common name given to dogs in Korea.

‘Muxiphobia’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work consists of a mural drawn with a pen on one of the gallery walls, paired with a photograph of the space—taken before the installation—inserted into a photo mount and hung on the wall. This work shares the same title as the piece ‘Muxiphobia’ produced in 2021.

‘Renee Wascovich’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a shipwreck on one side and a tropical fish on the other. In the second part, the fabric was replaced with images of a tropical fish and a woven textile. During the exhibition, the fabric cover was replaced once. The title follows the format of a common name from English-speaking countries.

‘Jaehee Kim’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a shipwreck on one side and a tropical fish on the other. In the second part, the fabric was replaced with images of a woven textile and a snow globe. During the exhibition, the fabric cover was replaced once. The title follows the format of a common Korean name.

‘Chaetodon’ is a work produced in 2023. It was first exhibited at the first part of ‘Heartdeep’, held from August 15 to August 29, 2023, at Bom Boniere New York. The work features Hanji (traditional Korean paper) folded into a 'Dong-seo-nam-buk' (origami fortune teller) shape, with intricate curved patterns drawn in pencil. Black circles are drawn on each of the four edges of the paper.

‘Psyche’ is a work produced in 2023. It was first exhibited at ‘Contacting presence’, held from December 27, 2023, to January 6, 2024, at Space Cadalogs. Inspired by the myth of Eros and Psyche, the work consists of two smartphones playing videos of tropical fish. While the videos on both devices share the same source, subtle discrepancies arise during playback due to differences in physical conditions and processing speeds, causing the two videos to gradually drift apart. The original one-minute video was divided into frames (1/24 of a second), resulting in 3,600 files played sequentially via Windows Media Player. This process was re-recorded, and despite being performed on the same computer, the limitations of processing speed expanded the footage into videos exceeding five and six minutes, respectively. These expanded videos were then compressed back to the original one-minute duration for playback.

‘Choi JaeYeon’ is a work produced in 2023. It was first exhibited at ‘The Good neighbor’, held from May 25 to June 10, 2023, at Art Space 3. The work features a metal frame covered by fabric printed with different digital images on each side, joined together by a zipper. In the first part of the exhibition, the fabric displayed an image presumed to be the inside of an animal’s mouth on one side and a morning glory on the other. In the second part, the fabric was replaced with images of a tropical fish and a woven textile. During the exhibition, one side of the fabric was occasionally removed to expose the underlying metal support.

‘Alexa Okuwen’ is a work produced in 2023. It was first exhibited at ‘The Good neighbor’, held from May 25 to June 10, 2023, at Art Space 3. In the first part, the work features a structure where fabric printed with an image presumed to be an animal’s torso is joined by a zipper to another fabric showing a plane leaving a contrail across a city skyline. The second part follows the same structure, zipping together an image of an animal’s torso with a fabric printed with images of an envelope, a frame, and a meteorite falling through Earth's atmosphere. Objects such as bracelets, necklaces, dried flowers, and photographs are placed atop the fabric-covered metal supports. The title follows the format of a common foreign name.

‘Echo’ is a work produced in 2023. It was first exhibited at ‘Contacting presence’, held from December 27, 2023, to January 6, 2024, at Space Cadalogs. The work features bird-strike prevention stickers printed in Braille using color sheets on the window. The Braille text conveys a warning about approaching a beloved object too closely.

‘Hind Right Arm(Rose Tattoo)’ is a work produced in 2022. It was first exhibited at ‘Every mosquito feels the same’, held from January 19 to January 29, 2022, at THIS IS NOT A CHURCH. The work features objects, including wooden battens and car wipers, leaning against one another, with some components painted. The title is derived from a specific part of the human body.

‘KF94’ is a work produced in 2020. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). An image of someone’s face, edited in various ways, is overlaid at regular intervals using wooden frames on top of a digitally printed photograph of a person’s body. At the top, spray-painted wooden battens are installed leaning between parts of the figure’s body.

‘Faggot’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space).

‘Eros&Psyche’ is a work produced in 2020. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work features two photographs of a butterfly's cross-section, mirrored and displayed on the screens of two different smartphone models. Both devices are connected to chargers.

‘Biduman’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work consists of fabric featuring jewels embedded on the front and plant patterns depicted on the back. During the exhibition, the location of the work is subject to constant change.

‘Biduman’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work consists of fabric featuring jewels embedded on the front and plant patterns depicted on the back. During the exhibition, the location of the work is subject to constant change.

‘Song of night(夜) and day(朝)’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work is an oil painting created on the pages of the adult BL manga, ‘The Song of Yoru & Asa’.

‘Webbed hand’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work features objects, including wooden battens, leaning against one another, with some components painted. The title is derived from a specific part of a fish.

‘Muxiphobia’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work consists of a 3D-modeled image of an iPhone with a mirror texture printed and attached to the gallery wall. This image was then photographed from the same angle as a CCTV feed, reprinted, and layered over the original 3D-modeled image. Viewers are restricted from seeing the primary image up close, forced instead to view it through the distant perspective recorded in the secondary image.

‘Hind right arm’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work features objects, including wooden battens and car wipers, leaning against one another, with some components painted. During the exhibition, the arrangement of these leaning objects may be subject to change. The title is derived from a specific part of the human body.

‘20180928, 22800842, 20201225’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work consists of three images, each measuring 14 × 8 cm, edited by the artist.

10880473 -Taken during exploration-' is a work produced in 2021. It was first exhibited at 'Chestnut tree-Dokkaebi-Bunjae', held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work was created by utilizing personal videos collected by Daul RHEEM over a year, which were repeatedly processed through Instagram filters until the original content became abstract and unrecognizable.

‘Portrait’ is a work produced in 2020. It was first exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. The work consists of carpet images printed on paper with specific measurements written in a caption format, installed on the walls of the exhibition space.

‘Tongue’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness’, held from December 21, 2020, to January 21, 2021, at the School of Visual Arts, Korea National University of Arts. The work consists of a tree stump painted in grey, installed next to a speaker. The title is derived from a specific part of the human body.

‘Arm(Right)’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness’, held from December 21, 2020, to January 21, 2021, at the School of Visual Arts, Korea National University of Arts. The work features a skateboard with its upper part partially cut, leaned against a curved wooden structure spray-painted in straight linear patterns. The wheels of the skateboard are stained with paint pigment. The title is derived from a specific part of the human body.

‘Folded ILLEONG’ is a work produced in 2020. It was first exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. The work consists of wooden battens with text written on them, installed leaning against window frames and interior structures. At the bottom, an iPad is wedged into the window frame to play an edited documentary of a house being built on an old British castle site, accompanied by the sound of a crackling fireplace.

‘Heart’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. An image of someone’s face, edited in various ways, is overlaid at regular intervals using wooden frames on top of a digitally printed photograph of a person’s body. Wooden beams are installed leaning between parts of the figure’s body. The title is derived from a specific part of the human body.

‘Hand(Left)’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. A tree branch is suspended over a curved wooden panel spray-painted in straight linear patterns. The title is derived from a specific part of the human body.

‘Ankle’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. An aquarium is placed on top of a wooden sculptural structure, containing a water circulation motor and a shrimp-shaped silicone lure. A light is installed above the aquarium to illuminate it. The title is derived from a part of the human body.

‘Remoted ILLEONG’ is a work produced in 2020. It was first exhibited in ‘HOW TO BETTER YOURSELVES,’ held from January 23 to March 6, 2020, at 402ho 161 Hwarang-ro 32-gil Seongbuk-gu Seoul. The work was collaboratively produced by coknow and Daul RHEEM, who both participated in the exhibition. Wooden beams are installed leaning in a triangular pyramid formation, with patterned glass attached to one side. Behind the patterned glass, a painting by coknow is placed.

‘Back’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. The installation consists of a bonsai encased in a wooden crate placed on a gray-painted tree stump. The title is derived from a specific part of the human body.

‘Pore’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. A smartphone is propped upright on a white wooden piece placed between perforated wooden elements, and the screen displays an image of the Korean letter ‘오(Oh)’. The title is derived from a specific part of the human body.

‘Eyelid’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. A device is installed between two wooden beams and a wooden sculptural element. The device screen appears distorted through patterned glass inserted between the two beams. The title is derived from a part of the human body.

‘A Little More ILLEONG’ is a work produced in 2019. Three wooden beams lean against one another in a triangular formation. One of the beams is sprayed with blue paint and has yellow three-dimensional letters spelling ‘OLLINGE’ attached to it. At the vertex where the three beams meet, a smartphone device is suspended by thread, through which a video is displayed.

‘Visage’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness’, held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. Wooden beams lean together in a triangular formation. One beam is painted blue and has three-dimensional letters spelling ‘OLLINGE’ attached to it. Another beam bears a label indicating the wood type (WALNUT) and its original dimensions (60 × 60 × 1500 cm). At the vertex where the three beams meet, a smartphone device is suspended by thread, through which a video is displayed. The title is derived from a specific part of the human body.

‘White Night’ is a work produced in 2019. It was first exhibited in ‘parallel’, held from May 7 to May 27, 2019, at Theory Gallery of Korea National University of Arts. The title refers to the overall condition of the area in which ‘Melon’—a structure assembled into a resting space according to the exhibition timeline and otherwise inaccessible—was installed.

‘Melon’ is a work produced in 2019. It was first exhibited in the exhibition ‘parallel’, held from May 7 to May 27, 2019, at Theory Gallery of Korea National University of Arts. Installed in the central corridor of the university, the work is composed of interior construction materials and electrical fixtures, enabling it to function as a resting space. According to the exhibition timeline, it is assembled into a lounge area, while at other times access to the space is restricted.

‘More Big ILLEONG’ is a work produced in 2019. Wooden beams lean against each other in a triangular formation, with patterned glass attached to one side. One of the beams bears a paper sticker indicating its standard dimensions, over which red and white spray paint has been applied. A bell-shaped form is placed at the base of the beams.

‘Globe’ is a work produced in 2018. It was exhibited in the lobby of Art Sonje Center on a Monday—its regular closing day—as part of an art history class in the Department of Fine Arts at Korea National University of Arts. During the performance, when a viewer approaches, a sensor is activated and the snow globe spins so rapidly that its interior landscape becomes impossible to discern.

This Three Dimensional Work, whose title is unknown, was produced in 2017. It was first presented at the Department of Fine Arts assignment exhibition at Korea National University of Arts. The work features a suit jacket, artificial flowers, and artificial fruits hung on a clothing rack, with a piece of hemp fabric painted with pigment lying beneath it.

‘FELIX’ is a work produced in 2017. It was exhibited at the Department of Fine Arts assignment exhibition held at Korea National University of Arts in 2017. Inside a rabbit doll with the word ‘FLEIX’ written on its foot, pieces of meat were inserted, causing a decaying odor to develop as the exhibition period progressed.

‘Safe Sex Tools for Sexual Minorities’ is a work produced in 2017. It was presented at the Department of Fine Arts assignment exhibition at Korea National University of Arts. The work consists of wedding rings placed inside condom packages and was installed at the entrance of the Fine Arts building at Korea National University of Arts.

It is a work produced in 2017 titled ‘A Writing for My Mother, Mrs. Kim Sochun’. It was exhibited in 2017 at the Department of Fine Arts assignment exhibition held at Korea National University of Arts. The work was composed by gathering and stitching together passages that the artist’s mother had written to her mother, and presenting them hanging over a wooden box.

‘“Every... What?’ is a work produced in 2017. It was first exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. The work consists of pages containing images selected by Daul RHEEM, accompanied by their respective captions.