Items

• Photograph of ‘Visage’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Visage’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 225 KB, and the format is JPG. It features wooden square timbers leaning in a triangular form; one is painted blue with ‘OLLINGE’ letters attached. Another has a label indicating the wood type (WALNUT) and original size. A smartphone device is suspended by thread at the meeting point of the three timbers, playing a video.
• Photograph of ‘Heart’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Heart’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 236 KB, and the format is JPG. It features digital prints of a person's body overlaid with various edited facial images using wooden frames at regular intervals, with wooden timber leaning between the figures.
• Photograph of ‘Hand(Left)’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Hand(Left)’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 439 KB, and the format is JPG. A branch is suspended over a curved wooden board spray-painted with straight lines.
• Photograph of ‘Ankle’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Ankle’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 225 KB, and the format is JPG. It features a fish tank placed on a wooden sculpture, containing a water motor and shrimp-shaped silicone bait. A light is installed above to illuminate the tank.
• Photograph of ‘Back’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Back’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 148 KB, and the format is JPG. It consists of a bonsai tree with a wooden crate placed over a grey-painted tree stump.
• Photograph of ‘Eyelid’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Eyelid’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 131 KB, and the format is JPG. It shows a device installed between two wooden timbers and a wooden sculpture, its screen appearing distorted through patterned glass inserted between the timbers.
• Photograph of ‘Pore’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021

  This is a Photograph of ‘Pore’ by Daul RHEEM exhibited in ‘Crown Shyness’ at the Korea National University of Arts from December 21, 2020, to January 21, 2021. The file size is 131 KB, and the format is JPG. A smartphone is placed on a piece of white wood leaning against a perforated wooden structure, with the letter "오" displayed on its screen.
• Exhibition view of ‘Crown Shyness’ at Korea National University of Arts, held from December 21, 2020, to January 21, 2021

  This is the Exhibition view of ‘Crown Shyness’ at Korea National University of Arts, held from December 21, 2020, to January 21, 2021. The file size is 294 KB, and the format is JPG.
• Exhibition poster for ‘MODELHOUSE: Simone's star’ at Lounge32 from October 17 to October 31, 2020

  This is the Exhibition poster for ‘MODELHOUSE: Simone's star’ by Shin min kyoung at Lounge32 from October 17 to October 31, 2020. The file size is 119 KB, and the format is JPG.
• Installation photograph of ‘MODELHOUSE: Simone's star’ at Lounge32 from October 17 to October 31, 2020

  This is the Installation photograph of ‘MODELHOUSE: Simone's star’ by Shin min kyoung at Lounge32 from October 17 to October 31, 2020. The file size is 516 KB, and the format is JPG.
• Exhibition introduction for ‘MODELHOUSE: Simone's star’ at Lounge32 from October 17 to October 31, 2020

  This is the Exhibition introduction for ‘MODELHOUSE: Simone's star’ by Shin min kyoung at Lounge32 from October 17 to October 31, 2020. The file size is 28.4 KB, and the format is PDF.
• Poster for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery

  This is the Poster for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It contains information such as names of participating artists and curators, venue, and period. The file size is 118 KB, and the format is JPG.
• Installation archive video and photographs for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery

  This is the Installation archive video and photographs for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It includes photographs and videos recording the exhibition view from May 10 to 24. The total size is over 50 GB, and the formats are JPG and mov.
• Installation archive video and still images for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery

  This is the Installation archive video and still images for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. The file size is 919 KB, and the format is JPG. It includes still images captured from the installation view video.
• Introductory text for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery

  This is the Introductory text for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It contains the text written by Mohee(Sohee Kim), drawings, and the exhibition schedule. The file size is 717 KB, and the format is JPG.
• Leaflet for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery

  This is the Leaflet for the exhibition ‘parallel’, held from May 7 to May 27, 2019, at K-ARTS Theory Gallery. It contains information such as names of participating artists and curators, venue, and period. The file size is 244 KB, and the format is JPG.
• Photograph of ‘A Little More ILLEONG’ in 2019

  This is a Photograph of ‘A Little More ILLEONG’ in 2019. It features three wooden square timbers leaning against each other in a triangular shape. The file size is 2.31 MB, and the format is JPG.
• Photograph of ‘More Big ILLEONG’ in 2019

  This is a Photograph of ‘More Big ILLEONG’ in 2019. It shows wooden square timbers leaning in a triangular form, with patterned glass attached to one side. A paper sticker indicating the timber's dimensions is attached to one piece, over which red and white spray has been applied. A bell-shaped figure is placed at the bottom. The file size is 3.02 MB, and the format is JPG.
• Photograph of ‘Globe’ in 2018

  This is a Photograph of ‘Globe’ in 2018. It features a scene exhibited in the lobby of Art Sonje Center as part of a course at the Korea National University of Arts. The file size is 889 KB, and the format is JPG.
• Photograph of the undergraduate coursework in 2017

  This is a Photograph of the undergraduate coursework in 2017. It features a suit jacket, artificial flowers, and artificial fruit hung on a hanger, with pigment painted on Hanji (Korean paper) placed under the stand. The file size is 96 KB, and the format is JPG.
• Photograph of ‘Safe Sex Tools for Sexual Minorities’ in 2017

  This is a Photograph of ‘Safe Sex Tools for Sexual Minorities’ in 2017 by Daul RHEEM. The work, featuring a wedding ring inside a condom package, is installed at the entrance of the Fine Arts Building at the Korea National University of Arts. The file size is 1.1 MB, and the format is JPG.
• Photograph of ‘A Writing for My Mother, Mrs. Kim Sochun’ in 2017

  This is a Photograph of ‘A Writing for My Mother, Mrs. Kim Sochun’ in 2017 by Daul RHEEM. It features phrases written by the artist's mother for her late grandmother, sewn together and hung over a wooden box. The file size is 1.2 MB, and the format is JPG.
• Photograph of ‘FELIX’ in 2017

  This is a Photograph of ‘FELIX’ in 2017 by Daul RHEEM. It features a rabbit doll with "FELIX" written on its foot. The file size is 480 KB, and the format is JPG.
• Photograph of ‘Every... What?’ in 2017

  This is a Photograph of ‘Every... What?’ in 2017. The file size is 6.86 MB, and the format is JPG.
• Tongue

  ‘Tongue’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness’, held from December 21, 2020, to January 21, 2021, at the School of Visual Arts, Korea National University of Arts. The work consists of a tree stump painted in grey, installed next to a speaker. The title is derived from a specific part of the human body.
• Psyche

  ‘Psyche’ is a work produced in 2023. It was first exhibited at ‘Contacting presence’, held from December 27, 2023, to January 6, 2024, at Space Cadalogs. Inspired by the myth of Eros and Psyche, the work consists of two smartphones playing videos of tropical fish. While the videos on both devices share the same source, subtle discrepancies arise during playback due to differences in physical conditions and processing speeds, causing the two videos to gradually drift apart. The original one-minute video was divided into frames (1/24 of a second), resulting in 3,600 files played sequentially via Windows Media Player. This process was re-recorded, and despite being performed on the same computer, the limitations of processing speed expanded the footage into videos exceeding five and six minutes, respectively. These expanded videos were then compressed back to the original one-minute duration for playback.
• Fon Suthamphong

  ‘Fon Suthamphong’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a tropical fish on one side and a shipwreck on the other. In the second part, the structure was presented by zipping together fabric printed with an enlarged image of a tropical fish on one side and a parrot on the other. During the exhibition, the fabric cover was replaced once. The title follows the format of a common foreign name.
• Arm(Right)

  ‘Arm(Right)’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness’, held from December 21, 2020, to January 21, 2021, at the School of Visual Arts, Korea National University of Arts. The work features a skateboard with its upper part partially cut, leaned against a curved wooden structure spray-painted in straight linear patterns. The wheels of the skateboard are stained with paint pigment. The title is derived from a specific part of the human body.
• The Last Exhibition

  ‘The Last Exhibition’ is a mobile-type portable work produced in 2024. It was presented as part of the exhibition ‘The Last Exhibition’, which began on August 20, 2024, at Locus Solus (Rasun Library). The work was co-produced by Chongjae Kim, An Meene, Daul RHEEM, and Seyoung Jeong. It features a mobile structure where photo mounts, digital prints, and the exhibition's introductory text are hung together.
• Choi JaeYeon

  ‘Choi JaeYeon’ is a work produced in 2023. It was first exhibited at ‘The Good neighbor’, held from May 25 to June 10, 2023, at Art Space 3. The work features a metal frame covered by fabric printed with different digital images on each side, joined together by a zipper. In the first part of the exhibition, the fabric displayed an image presumed to be the inside of an animal’s mouth on one side and a morning glory on the other. In the second part, the fabric was replaced with images of a tropical fish and a woven textile. During the exhibition, one side of the fabric was occasionally removed to expose the underlying metal support.
• A Little More ILLEONG

  ‘A Little More ILLEONG’ is a work produced in 2019. Three wooden beams lean against one another in a triangular formation. One of the beams is sprayed with blue paint and has yellow three-dimensional letters spelling ‘OLLINGE’ attached to it. At the vertex where the three beams meet, a smartphone device is suspended by thread, through which a video is displayed.
• Folded ILLEONG

  ‘Folded ILLEONG’ is a work produced in 2020. It was first exhibited at ‘HOW TO BETTER YOURSELVES’, held from January 23 to March 6, 2020, at 402ho, 161 Hwarang-ro 32-gil, Seongbuk-gu, Seoul. The work consists of wooden battens with text written on them, installed leaning against window frames and interior structures. At the bottom, an iPad is wedged into the window frame to play an edited documentary of a house being built on an old British castle site, accompanied by the sound of a crackling fireplace.
• Jeongisu(The Storyteller)

  ‘Jeongisu(The Storyteller)’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. When a gyro sensor, shaped like a wind bell, moves in the wind, the device measures the sensor's positional values using trigonometric functions and outputs wind bell sounds of varying intensities. In the first part of the exhibition, it played wind bell sounds, and in the second part, it was changed to thunder sounds.
• Faggot

  ‘Faggot’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space).
• Leiming Yu

  ‘Leiming Yu’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a shipwreck on one side and a moray eel on the other. In the second part, the fabric was replaced with images of a woven textile and a snow globe. During the exhibition, the fabric cover was replaced once. The title follows the format of a common Korean name.
• Eros&Psyche

  ‘Eros&Psyche’ is a work produced in 2020. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work features two photographs of a butterfly's cross-section, mirrored and displayed on the screens of two different smartphone models. Both devices are connected to chargers.
• Visage

  ‘Visage’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness’, held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. Wooden beams lean together in a triangular formation. One beam is painted blue and has three-dimensional letters spelling ‘OLLINGE’ attached to it. Another beam bears a label indicating the wood type (WALNUT) and its original dimensions (60 × 60 × 1500 cm). At the vertex where the three beams meet, a smartphone device is suspended by thread, through which a video is displayed. The title is derived from a specific part of the human body.
• Alexei Zinoviev

  ‘Alexei Zinoviev’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric, which covers a metal frame and is joined by a zipper. In the first part of the exhibition, the fabric displayed an image of a shipwreck on one side and a tropical fish on the other. In the second part, the fabric was replaced with images of a rose on one side and a collaged iconography of a bronze Buddhist statue on the other. During the exhibition, the fabric cover was replaced once. The title follows the format of a common foreign name.
• Alexa Okuwen

  ‘Alexa Okuwen’ is a work produced in 2023. It was first exhibited at ‘The Good neighbor’, held from May 25 to June 10, 2023, at Art Space 3. In the first part, the work features a structure where fabric printed with an image presumed to be an animal’s torso is joined by a zipper to another fabric showing a plane leaving a contrail across a city skyline. The second part follows the same structure, zipping together an image of an animal’s torso with a fabric printed with images of an envelope, a frame, and a meteorite falling through Earth's atmosphere. Objects such as bracelets, necklaces, dried flowers, and photographs are placed atop the fabric-covered metal supports. The title follows the format of a common foreign name.
• Heart

  ‘Heart’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. An image of someone’s face, edited in various ways, is overlaid at regular intervals using wooden frames on top of a digitally printed photograph of a person’s body. Wooden beams are installed leaning between parts of the figure’s body. The title is derived from a specific part of the human body.
• Hand(Left)

  ‘Hand(Left)’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. A tree branch is suspended over a curved wooden panel spray-painted in straight linear patterns. The title is derived from a specific part of the human body.
• Parceling

  ‘Parceling’ is a performance work produced in 2024. It was presented as part of the exhibition ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work was co-directed with the artist Saranghae. It consists of two performers engaging in conversation while changing their respective outfits behind the works of the ‘Metal frame series’.
• Safe Sex Tools for Sexual Minorities

  ‘Safe Sex Tools for Sexual Minorities’ is a work produced in 2017. It was presented at the Department of Fine Arts assignment exhibition at Korea National University of Arts. The work consists of wedding rings placed inside condom packages and was installed at the entrance of the Fine Arts building at Korea National University of Arts.
• Biduman

  ‘Biduman’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work consists of fabric featuring jewels embedded on the front and plant patterns depicted on the back. During the exhibition, the location of the work is subject to constant change.
• Biduman

  ‘Biduman’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work consists of fabric featuring jewels embedded on the front and plant patterns depicted on the back. During the exhibition, the location of the work is subject to constant change.
• White Night

  ‘White Night’ is a work produced in 2019. It was first exhibited in ‘parallel’, held from May 7 to May 27, 2019, at Theory Gallery of Korea National University of Arts. The title refers to the overall condition of the area in which ‘Melon’—a structure assembled into a resting space according to the exhibition timeline and otherwise inaccessible—was installed.
• Song of night(夜) and day(朝)

  ‘Song of night(夜) and day(朝)’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work is an oil painting created on the pages of the adult BL manga, ‘The Song of Yoru & Asa’.
• Ankle

  ‘Ankle’ is a work produced in 2020. It was first exhibited at the 21st Department of Fine Arts Graduation Exhibition ‘Crown Shyness,’ held from December 21, 2020 to January 21, 2021, at Korea National University of Arts. An aquarium is placed on top of a wooden sculptural structure, containing a water circulation motor and a shrimp-shaped silicone lure. A light is installed above the aquarium to illuminate it. The title is derived from a part of the human body.
• Fido

  ‘Fido’ is a work produced in 2024. It was first exhibited at ‘Rheem, Daul’, held from August 23 to September 22, 2024, at sangheeut. The work features different digital images printed on each side of the fabric. In the first part of the exhibition, the fabric displayed an image of a tropical fish on one side and a shipwreck on the other. In the second part, the structure was presented by zipping together fabric printed with an image of a moray eel on one side and an octopus on the other. During the exhibition, the fabric cover was replaced once. The title follows the format of a common name given to dogs in Korea.
• Webbed hand

  ‘Webbed hand’ is a work produced in 2021. It was first exhibited at ‘Chestnut tree-Dokkaebi-Bunjae’, held from September 29 to October 14, 2021, at Gallery175 (currently K-ARTS Art Space). The work features objects, including wooden battens, leaning against one another, with some components painted. The title is derived from a specific part of a fish.